Frankenstein PDF

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Frankenstein is a fictional character and the protagonist of the Death Race franchise. Within the film universe, the character is an alias taken on by other characters who participate in the titular race. In the original 1975 film, Frankenstein is portrayed as the reigning champion of the Death Race, an annual gladiator-style cross-country race. A symbol of the ruling totalitarian government, he is a feared racer who is purported to be half-man, half-machine. In this way, with each man donning the same alias and disguise, Frankenstein seems to be an unkillable opponent who survives any crash or injury.

Terminal Island after he is framed for his wife’s murder. Ames decides to win the Death Race and use it as means of revenge. This prequel to the 2008 film reveals the origins of Frankenstein. The Death Match is replaced by the Death Race, a gladiatorial race that uses custom cars and unused space along the island’s outer edges.

The prize for winning five races is freedom. Lucas initially does well, but is targeted by the other drivers due to the bounty on his head. 14K pays back this favor by killing Kane. At the end of the race, Lucas crashes his car into the operations center, where York has been handcuffed to a table by his producer, incensed by York firing and replacing her.

York is horribly burned in the fiery crash, and the world at large is then led to believe that York is the survived Frankenstein, despite his protestations. Lucas and his crew stage their deaths and escape, while the disfigured York, resigned to the fact that everyone believes he is Frankenstein, adopts the mantle. In the sequel of the remake series, Frankenstein has won 7 races, despite the race being now illegal. Frankenstein is killed near the end of the 8th race, and Sergeant Gibson, a soldier sent by Weiland International, takes his mantle and becomes the new Frankenstein.

In each film, Frankenstein is played by one or more characters and, thus, actors. In Death Race 2000, Frankenstein was portrayed by David Carradine. David Carradine, in a nod to the original 1975 film. For the rest of the film, the role is taken up by Jason Statham’s character Jensen Garner Ames. At the end of the second prequel Death Race 3: Inferno, billionaire Niles York is forced to assume the Frankenstein mantle, and is portrayed by Dougray Scott.

In Death Race 2050, Frankenstein is portrayed by Manu Bennett. In Death Race: Beyond Anarchy, the first sequel of the remake series, the mantle of Frankenstein is taken up by an otherwise unnamed character, played by Bulgarian actor Velislav Pavlov and voiced by Nolan North. The new Frankenstein is an antagonist instead of a protagonist. Questa voce o sezione sull’argomento personaggi letterari non cita le fonti necessarie o quelle presenti sono insufficienti. Mary Shelley, Frankenstein, o il moderno Prometeo del 1818.

Presso il Lago di Ginevra, nell’estate piovosa del 1816, P. Lo stesso argomento in dettaglio: Frankenstein. Il mostro del romanzo Frankenstein, o il moderno Prometeo è stato « creato » dal filosofo naturale Victor Frankenstein, unendo insieme parti scelte di cadaveri prese da cimiteri, obitori e mattatoi. Ginevra, in Svizzera, e la sua prima vittima è il fratello minore di questi, William. La creatura nel frattempo impara ad esprimersi in lingua umana ascoltando i dialoghi di una famiglia che aiutava di nascosto, di notte, ad esempio portando loro legna da ardere, per poi decidere di mostrarsi fisicamente e venire cacciato via per il suo aspetto orrendo. Il mostro confessa l’omicidio a Victor e pretende per sé una compagna. Scagionato, sposa sua cugina Elizabeth Lavenza, che diventerà la terza vittima della creatura, uccisa dal mostro proprio la notte del matrimonio.

Victor Frankenstein decide di affrontare il mostro e ucciderlo. In un viaggio al Polo Nord, muore senza riuscire a portare a termine il suo intento. Lo stesso argomento in dettaglio: Frankenstein nella cinematografia. Il personaggio del mostro di Frankenstein è stato oggetto di numerose citazioni e omaggi all’interno di altre opere, o fonte d’ispirazione per la creazione di giocattoli e merchandising.